 The Master |
Instrumental music
After 1536 instrumental music is often printed.
The first masterwork could be The Master (1536) by Luis de Milán (Valencia, ca.1500-1561), devoted to Joan 3rd in Portugal. It includes phantasies, pavanas, tientos, villancicos, ballads and original works in wich vihuela admits human voice. |
 The Dolphin (1536) |
 Three Books of Music |
It would be followed by The Dolphin (1538), by Luis de Narváez, and Three Books of Music in Cipher for Vihuela (Seville, 1546) by Alonso de Mudarra. Other vihuela players were Enríquez de Valderrábano author of the anthology Jungle of Sirens (1547), Diego Pisador -Book of Music for Vihuela (1552)- and Miguel de Fuenllana -Orphenica Lyra-.
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 Book of New Cipher |
Their equivalent for organ would be the Book of New Cipher for Keys, Harp and Vihuela (Alcalá de Henares, 1557) by Luis Venegas de Henestrosa and the Works of Music for Key, Harp and Vihuela (1578) by Antonio de Cabezón (Burgos, 1510-1566), edited by his own son. Both works show the ability of music for being adapted to different instruments or even to human voices.
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 Works of Music for Key, Harp and Vihuela |
Theory and treatises
There are several treatises on plain singing, as Domingo Marcos Durán or Francisco Tovar ones.
Bartolomé Ramos de Pareja (¿1440-1521?) was andalousian. His De Musica tractatus sive Musica practica (1482) deals with the division of the octave.
Fray Juan Bermudo published a Declaration of musical instruments (1555) and Fray Tomás de Santa María an Art of Playing Phantasy (1565). |
 Cipher for Harp or Organ |
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